Correct wardrobe, setting and light on frames that are almost right. One change per job at 21 credits, originals preserved, pricing upfront.
Per-job credit pricing is shown before you confirm. An edit produces a new piece; your original stays untouched in your account.
Every set has frames that are ninety percent right: the pose lands, the light is perfect, the outfit belongs to a different theme week. The editor exists for those frames. Describe the change in plain language — wardrobe, setting, light, detail — and the tool re-renders the frame with the change applied and the composition kept. Editing runs at 21 credits per job, shown before you confirm, and the original stays untouched in your account.
Strong pose and light, wrong details. A frame with bad bones costs more to fix than to regenerate.
One instruction per job keeps the rest of the frame stable and the cost predictable.
Original and edit sit side by side in your account. Ship the winner; the other costs nothing more.
The same frame dressed for three different packs — the fastest catalogue multiplier there is.
Bedroom to hotel suite to studio backdrop without moving the subject or the light.
Daylight to evening, soft to dramatic — match a frame to the set it is joining.
“Change the white racing jacket to a deep red cropped jacket, keep the pose, hair and lighting identical.”
Names the change and explicitly protects everything else. “Keep identical” clauses are cheap insurance.
“Move the scene to a marble hotel bathroom with warm mirror light, keep the subject and pose unchanged.”
One environment swap. Asking for a new setting, new outfit and new pose in one job is a regeneration, not an edit.
| Situation | Better move |
|---|---|
| Pose and light are right, details are wrong | Edit — cheaper and keeps the frame’s bones |
| The composition itself misses | Regenerate with a corrected brief |
| One frame needed in three outfits | Edit three times from the keeper |
21 credits per job, shown before you confirm. Editing a keeper is normally cheaper than regenerating and re-culling a set.
No. An edit produces a new frame; the original stays in your account untouched.
Brief one change per job. Stacked changes destabilise the parts you wanted to keep.
Yes — your own photos follow the same consent rules as every upload on the studio.
Narrow the instruction and name what must stay identical. Vague briefs are the main cause of drifting edits.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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